The Thursday Murder Club Series.
Richard Osman
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Today’s recommended read is plural: the two bestselling novels (so far) in Richard Osman’s Thursday Murder Club series.
First let’s deal with the hype, and the elephant in the room. Richard Osman is a popular UK TV presenter and producer. His first attempts at writing a book were snapped up for an eye-watering sum. Not unusual for a celebrity book. The first in the series The Thursday Murder Club justified his publisher’s gamble with record-breaking sales. The follow-up, The Man Who Died Twice, broke records for pre-orders. Doubtless the as-yet-untitled third in the series will do similarly well.
Inevitably that evokes a degree of jealousy, with plenty of people willing to put the boot in solely on that basis. There are even those who go as far to say that “he should stick to his day job and leave writing to ‘proper authors’.“
Newsflash: Most ‘proper authors’ have or had day jobs; his is just a little more high-profile than most.
So why have I recommended them? It’s not like he needs me to bang the drum for him. I recommend these books for the same reason I recommend any book on this blog – I really enjoyed them! Genuinely, they were tremendous fun and very well written. I know a thing or two about writing books, and Osman can hold his head high. Ignoring the numbers and hype, I would have been very happy if I wrote these stories.For those that don’t know, the books centre around a group of elderly folks living in a residential complex of retirement homes. To keep themselves entertained, they spend their Thursday afternoons looking into cold cases – hence the name of the series.
I’ll skip over the plots for the books – you can get that from the jacket blurb. Suffice to say, the books are really fun whodunnits. The stories are contemporary, set in modern times, and lean more towards cosy and fun, rather than gritty and procedural. That’s fine by me, they are a refreshing change from what I typically write and read.
These are good, fun crime stories that stand on their own merits. But what really makes them better than a lot of half-hearted, ghost-written celebrity cash-ins, is that he wrote the books himself (off his own back, without a deal in place) and that he has really put the effort in.
The cast of characters are wonderfully drawn. Each of them has their own story and part to play. In some ways he channels the wonderful joie de vivre of Last Of The Summer Wine, with seniors behaving badly. But he doesn’t veer into farce – there are no elderly men in bathtubs going down a hillside to a canned laughter track. Instead, it is a celebration of people making the most of their last few years.
The book is laugh-out-loud in parts, as one would expect from Osman, and also poignant. He doesn’t steer clear of the fact that these are older people, who are having to face the trials and challenges that brings, including the inexorable loss of companions.
The sequel builds on this strong start, with each of the central cast being given their own chance to star, and an expansion of the secondary characters that return from the first. It also continues to tackle emotive issues, and the emotional and physical impact of a violent attack on one of the heroes is dealt with sensitively and realistically.
Osman uses a couple of different devices to tell his stories. One, using snippets from the diary of one of his characters to fill in narrative gaps works really well, but it isn’t over-used.
The third in the series is due out this year, and I will definitely be buying it.
These books are well-deserved #RecommendedReads.
First let’s deal with the hype, and the elephant in the room. Richard Osman is a popular UK TV presenter and producer. His first attempts at writing a book were snapped up for an eye-watering sum. Not unusual for a celebrity book. The first in the series The Thursday Murder Club justified his publisher’s gamble with record-breaking sales. The follow-up, The Man Who Died Twice, broke records for pre-orders. Doubtless the as-yet-untitled third in the series will do similarly well.
Inevitably that evokes a degree of jealousy, with plenty of people willing to put the boot in solely on that basis. There are even those who go as far to say that “he should stick to his day job and leave writing to ‘proper authors’.“
Newsflash: Most ‘proper authors’ have or had day jobs; his is just a little more high-profile than most.
So why have I recommended them? It’s not like he needs me to bang the drum for him. I recommend these books for the same reason I recommend any book on this blog – I really enjoyed them! Genuinely, they were tremendous fun and very well written. I know a thing or two about writing books, and Osman can hold his head high. Ignoring the numbers and hype, I would have been very happy if I wrote these stories.For those that don’t know, the books centre around a group of elderly folks living in a residential complex of retirement homes. To keep themselves entertained, they spend their Thursday afternoons looking into cold cases – hence the name of the series.
I’ll skip over the plots for the books – you can get that from the jacket blurb. Suffice to say, the books are really fun whodunnits. The stories are contemporary, set in modern times, and lean more towards cosy and fun, rather than gritty and procedural. That’s fine by me, they are a refreshing change from what I typically write and read.
These are good, fun crime stories that stand on their own merits. But what really makes them better than a lot of half-hearted, ghost-written celebrity cash-ins, is that he wrote the books himself (off his own back, without a deal in place) and that he has really put the effort in.
The cast of characters are wonderfully drawn. Each of them has their own story and part to play. In some ways he channels the wonderful joie de vivre of Last Of The Summer Wine, with seniors behaving badly. But he doesn’t veer into farce – there are no elderly men in bathtubs going down a hillside to a canned laughter track. Instead, it is a celebration of people making the most of their last few years.
The book is laugh-out-loud in parts, as one would expect from Osman, and also poignant. He doesn’t steer clear of the fact that these are older people, who are having to face the trials and challenges that brings, including the inexorable loss of companions.
The sequel builds on this strong start, with each of the central cast being given their own chance to star, and an expansion of the secondary characters that return from the first. It also continues to tackle emotive issues, and the emotional and physical impact of a violent attack on one of the heroes is dealt with sensitively and realistically.
Osman uses a couple of different devices to tell his stories. One, using snippets from the diary of one of his characters to fill in narrative gaps works really well, but it isn’t over-used.
The third in the series is due out this year, and I will definitely be buying it.
These books are well-deserved #RecommendedReads.
